The Last Station, 2009, is a superb film in many, many respects and I will enjoy watching it, d.v., with intervals betwixt, several more times before my demise. As people know, it is a narrative on the final phase of the life of Leo Tolstoy and, instead of Russia , it was set in three parts of Germany , to wit, the remaining green areas of Sachsen-Anhalt , Brandenburg and Thüringen. However, the picture is another victim of the frequent failure of the film industry to take into account the realities of various aspects of agriculture. Not only do we have the so oft-idealised peasants, beloved of scene setters, trolloping across the set and conveying minimal credibility as to their functions in life, but we are treated to an aerial view of other rustics scything bang in the midst of something green rather than from the edge of the field. And far more ridiculous, they are standing stock still, flailing their scythes purposelessly over the same spot for as long as the shot lasts. Maybe production budget targets demanding the minimising of compensation payable to the real farmer for the loss of his crop were to blame for that particular hoot.
Film companies employ historical and other specialist advisers; yet one hears that when their advice is delivered, the huddle response is often a resounding ‘Overruled!’ For a viewer such as I am, it is often the lacking elements of verisimilitude which stick in my mind the longest after I have watched a film – the failures inherent in those ‘overruleds’ which ‘spoil the ship for that ha’pworth of tar’.